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| Alleluia:
Leaf, ,CG |
| This octavo is a general use anthem for two part voices and handbells (3 octaves) or keyboard. Since the text is simply "Alleluia!", this one might be excellent to perform from memory. |
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| Alleluia Alleluia Hearts and Voices Heavenward Raise:
Fitzgerald, Richard K.,,GI |
| Two octaves of bells provide the entire accompaniment for this anthem with strict metric passages and other plain-song type chanting with random bell accompaniment. The lilting 3/4 meter with occasional shift to 5/4 provides a fresh presentation of the celebration of Easter. |
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| Alleluia and Psalm for Easter:
Proulx, R., ,GI |
| For cantor, congregation and soprano descant with 10 handbells and organ, this piece can be performed on Easter Sunday. The bells play a little 3-measure melody for the refrain, and then they simply chime in with a chord here and there for the verses. |
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| Alleluia a Newe Work is Come:
Dirksen, R., ,OX |
| Using a 15th Century text, this octavo was written for SA Chorus with organ and 3 bells, D5, D6 and E6. |
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| Alleluia A New Work is Come on Hand:
,Emery, Michael,PP |
| An interesting SATB anthem for general, Easter or Advent, this "Alleluia" lends itself to antiphonal singing. |
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| Alleluia Christ Is Risen:
Beethoven, L. v.,Hopson, H.,HP |
| This setting of Brian Wren's popular Easter text features SATB choir and organ with optional brass quartet, timpani and 3-6 handbells. |
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| Alleluia Christ Is Risen:
Traditional,Holstein, Jane & Raney, Joel,HP |
| Using the definitive Easter text by Christopher Wordsworth, which begins with the proclamation “Alleluia, Christ is risen,” here is the perfect choral selection to begin your Easter Day service. |
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| Alleluia Christ the Lord Is Risen:
Nicholson, Mary A.,Bailey, Lynn S. & Mayo, Becki S.,CG |
| Four optional handbells or handchimes - E5, A5, B5, & C#6 - ring a simple line of additional accompaniment in this happy anthem in 6/8 time. The text begins: "Easter flowers blooming bright, Easter skies pour radiant light. Christ the Lord is risen today, glory, alleluia!" |
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| Alleluia He Lives Today:
,Hirt,HI |
| This piece is based on a Lithuanian folk song and utilizes handbells (3 octaves), flutes or melodicas, soprano and bass xylophones, alto metallophone, and soprano glockenspiel. Especially for Easter use, it is written for 3-part voices. |
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| Alleluia Jesus Is Risen:
Bailey, Lynn S.,,CG |
| This anthem of Easter joy celebrates the promise of Christ's resurrection and the gift of eternal life. Repetition in both the text and melody makes the piece a snap to teach and to learn. |
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| Alleluia No. 1:
Fishel, D.,Hopson, H.,HP |
| "Alleluia No. 1" is appropriate for many occasions throughout the church year including Easter Day, the Sundays following Easter, Christ the King Sunday, Trinity Sunday and funeral services. |
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| Alleluia Rejoice and Be Glad:
Gastoldi, G.,Hopson, H.,AG |
| Gastoldi's (1591) tune has been set with the translated text by C. Winkworth. The SATB voices are to be accompanied by 3 octaves of bells and organ. |
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| Alleluia Sing Christ Is Risen:
Taylor, T.,,CG |
| "Alleluia! Sing alleluia! Christ is risen, he is alive!" So begins the text of this Easter anthem with an optional score for three handbells (F5, C6, and F6). The bells ring dotted quarter-note patterns in unison, like points of joy along the way. |
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| Alleluia Song of Gladness:
,Proulx, R.,GI |
| Two octaves of bells (plus the A6) combine with tambourine, drum and finger cymbals to accompany this 12th century plainsong taken from a Moissac manuscript. |
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| Anthem for Resurrection:
Smart, Henry Thomas,Althouse, Jay,SP |
| This Easter anthem, an arrangement of LANCASHIRE, is for SATB choir with optional 2 octave handbells and/or brass. Permission is granted to reprint the last page for congregational participation. The text is by John Neale. |
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| Bells on Easter Morn, The:
Rogers, S., ,BO |
| Sharon E. Rogers is the writer of this octavo of original music and words for SA or unison choir. The handbell part is written only on the treble clef. |
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| Celebrate with Singing:
Various, ,AP |
| This choral fanfare, which combines both original music and a traditional French carol, includes a score for six handbells in the two octave range. The first verse is a Christmas text and the second an Easter text, making it applicable to two seasons. |
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| Christ is Arisen:
Cherwien, D., ,CO |
| "Christ is Arisen", a new musical setting of the German hymn, calls for SAB, organ, optional trumpet and two octaves of handbells. The bell part consists entirely of dotted quarter-note chords rung in 6/8 time. |
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| Christ is Risen:
Monaco, ,TP |
| This octavo is an Easter anthem for unison children's choir, tambourine, bells and organ. The accompaniment parts are fairly easy but may sound difficult. |
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| Christ is Risen:
Corbel, P.,Mataranglo, M.,GI |
| Seventeen handbells ranging from F4 - A6 are responsible for the accompaniment to this SATB processional anthem for Easter. Optional percussion, finger cymbals, triangle and tabor add a special flavor as well. |
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| Christ is Risen:
Lindner, J., ,CG |
| Nine handbells, ranging from C5-D6 are required to play along in this original composition for Easter. The anthem is only 55 measures long and is an ideal way to involve younger ringers in a larger work. |
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| Christ is Risen Alleluia:
Lau, R., ,CG |
| 5 bells play a simple ostinato near the end of this joyous Easter anthem. |
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| Christ is Risen Indeed:
Mayfield, T., ,SP |
| 19 bells in the 3-octave range, all scored in treble clef, provide optional accompaniment for the majority of this Easter anthem. The text is by Horatius Bonar and the music by Timothy Mayfield. |
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| Christ is Risen Shout Hosanna:
Wold, ,CG |
| For Unison voices and handbells, this joyous selection uses a simple syncopated rhythm throughout. The bell score has large print. |
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| Christ is Risen Sing Allelu:
,Bowen, Kathy C.,LC |
| Six bells ranging from A5 to E6 play in only 10 measures of this light-hearted anthem with a text that begins: "Christ is risen, sing allelu. All creation sing." |
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| Christmas Joy (Easter Joy):
Shafferman, J./Williams, J.,Page, A.,AP |
| This score is a seasonal anthem featuring text for Christmas and Easter. Separate handbell score in each octavo. Suggested corresponding lectionary readings are listed, as well as a basic homiletical theme. |
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| Christ's Own Body:
Tucker, M., ,CG |
| Two octaves of optional bells provide an occasional fluid accompaniment to this anthem with various performance options. |
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| Christ the Lord is Born Today:
Spevacek, L., ,LC |
| This bright, versatile unison anthem has text for both Christmas and Easter. The bell part is printed separately in each octavo. |
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| Christ the Lord is Born Today:
Spevacek, L., ,LC |
| This bright, versatile unison anthem has text for both Christmas and Easter. The bell part is printed separately in each octavo. |
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| Christ the Lord Is Risen Again:
,Hopson, H.,SP |
| Eight bells ranging from G5 to A6 ring a joyful peal as an additional accompaniment throughout most of this Easter anthem based on the medieval French melody Orientis Partibus. |
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| Christ the Lord is Risen Today:
,Proulx, R.,GI |
| This octavo is reprinted from "The Pilgrim", is a liturgical music-drama for Eastertide, for unison voices, descant, organ and 10 handbells. |
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| Christ the Lord Is Risen Today:
Lyra Davidica,Christopher, K.,HL |
| Optional handbells (3 octaves), brass and percussion are scored along with four-part mixed voices and keyboard accompaniment. The congregation is given the option to sing the melody throughout. |
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| Christ the Lord Is Risen Today:
Davidica, Lyra,Hopson, Hal H.,HP |
| Seven handbells in the upper 3-octave range play in ostinato fashion and as additional optional accompaniment to this Easter anthem based on both Easter Hymn and Lyra Davidica. A page of helpful performance notes describes the unique character of the anthem with phrases from Handel's HALLELUJAH interspersed throughout. |
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| Christ the Lord Is Risen Today:
Traditional,Raney, Joel,HP |
| This festive Easter prelude from Joel Raney is an exciting piano/organ duet with SATB choir entering at the conclusion of the prelude for an optional choral introit. |
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| Christ the Lord Is Risen Today:
Wesley, Charles,Mayo, Becki S.,LC |
| Energetic and lightly syncopated, this original melody suggests (but does not quote) the time-honored hymn tune. |
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| Christ the Lord Is Risen Today:
Easter Hymn,Wagner, Douglas E.,LC |
| This festive concertato is the perfect Easter Sunday opener. Text begins, "Alleluia, joy unending, praise ascending to the sky. Death is vanquished, life has triumphed. Christ is risen today!" |
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| Christ the Lord Is Risen Today:
Traditional,Benton, Douglas J.,HP |
| For SATB voices and organ with optional handbells, brass, and congregation, this stunning hymn concertato is brilliantly conceived from beginning to end and an excellent choice for Easter morning! |
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| Come and Adore Him:
Wade, John F.,Larson, Lloyd,LC |
| This is an anthem conceived with maximum flexibility in mind. The SATB and two-part voicing options allow this to be a successful repertoire addition for choirs of any size. |
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| Come and Eat This Living Bread:
,Glover, R.,GI |
| Nine handbells, ranging from D4 through A6, ring in two random ring ostinati along with several other optional instruments, lending a mystic air to the text: "Come eat bread, take this wine. Come be healed in God's sing." |
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| Come and Let Us Drink of That New River :
Haan, R., ,AM |
| Using bells A4, B4, C#5, D5, E5, F#5, A5, B5, C#6, D6 and E6 from the 2-octave set, this unison, 2 part Easter/Communion anthem lends itself greatly to be rung by a solo ringer. |
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| Come to the Table:
Martin, J., ,LC |
The cantata "Come to the Table" is subtitled "An Easter Communion Celebration". It is set for either SATB or SAB voices, optional C instrument and optional handbells.
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| Concertato on Christ the Lord is Risen Today:
,Hopson, H.,CG |
| "Concertato on 'Christ the Lord is Risen Today'" is a versatile Easter musical offering! The congregation and choir are involved in the performance. Use bells and trumpet for an exciting Easter morning anthem or hymn accompaniment. |
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| Concertato on Gaudeamus Pariter:
Roh, J.,Hopson, H.,HG |
| 3-6 bells between E6 and G7 are scored to add highlight for this tune that can be sung with either the text "Join We All With One Accord" or "Come, Ye Faithful, Raise the Strain." It is set for SATB choir and congregation with organ, optional brass quartet (quintet) and handbells and timpani. A playful, four-measure phrase is used to introduce the work and then acts as an interlude between phrases of the hymn. |
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| Concertato on the Strife is O'er:
Palestrina, G.,Hopson, H.,HP |
| For a successful performance all instruments, brass, timpani, organ, bell and congregation are needed. A6 is the only bell used, but it is needed for color. |
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| Concertato on Thine is the Glory:
Handel, G. F.,Hopson, H.,HG |
| Handbells play a minor role in the accompaniment of this work for SAB choir, congregation, organ, brass quartet, timpani and handbells. This piece provides a good opportunity for young or beginning ringers to join in a major offering of worship. |
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| Concertato on Thine Is The Glory:
Handel, G. F.,Powell,CG |
| "Concertato on 'Thine Is the Glory'" is a concertato for children's choir, SA(t)B Choir, Congregation, Organ, two Trumpets and optional 2 octaves of handbells. |
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| Concertato on We Know that Christ is Raised:
Engelberg/Stanford, C.,Hopson, H.,HG |
| The tune ENGELBERG is here set for SATB choir and congregation with organ, optional brass, and handbell accompaniment. Only 4 bells are used -- G5, C6, D6, and G6-- and usually in an ostinato pattern. |
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| Day is Dawning:
Nagy, R., ,BE |
| A unison/2 part Easter anthem written to explain the resurrection to children. A joyful presentation using only 4 handbells. |
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| Day of Resurrection, The:
Helman, M.,,LC |
| Given a new, sturdy tune, this familiar Easter hymn text promises a glorious choral celebration for Easter Sunday. |
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| Dona Nobis Pacem:
Lantz III, ,AP |
| Only 4 bells are used in this original anthem for SAB or SATB voices. Although the words ("Dona Nobis Pacem, Grant Us Peace") are familiar, the tune is not. |
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| Dona Nobis Pacem:
Traditional,Tucker, Margaret R.,CG |
| This flexible arrangement of the traditional Latin canon may be presented in several ways. |
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| Easter Alleluia:
Kirkland, ,LC |
| This Easter anthem for 2 part choir uses 5 bells, D6 - A6, for a 4 measure ostinato played several times in this short piece. The notes can be played an octave lower if only 2 octaves of bells are available. |
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| Easter Alleluia:
Kreutz, R., ,OC |
| Mr. Kreutz has composed this original anthem for assembly, SATB choir, cantor, piano, handbells and flute. |
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| Easter Bells:
Lantz III, D., ,WB |
| The handbell part in this bright, joyous octavo can be played by piano or handbells. It is fairly easy and would be good for a beginning choir, but they must know how to count 6/8 time. |
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| Easter Bells With Joy Are Ringing:
Wagner, Douglas E.,,LC |
| This joyous celebration of the resurrection is perfect for children, smaller adult choirs or an intergenerational choir. |
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| Easter Carol:
,Hatch, W.,AP |
| Based on a traditional Catalonian carol, the easy bell part is printed separately in each octavo. |
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| Easter Day Breaks Christ Arises:
Larson, L., ,LC |
| "Easter day breaks, Christ arises! The tomb that held him is empty now...The bells are ringing their joyful noise!" So begins this original composition for SATB choir with optional brass and three octaves of handbells. The handbells play throughout the work and good use is made of all three octaves. |
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| Easter Proclamation:
Bennett, M., ,NM |
| "Easter Proclamation" is a short--11 measures--introit or call to worship for bells and voice. Use a soloist or the choir in unison. |
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| Easter Proclamation:
Zabel, Albert, ,SP |
| This score is for mixed voices (SSATB) with brass (2 trumpets in Bb and 2 trombones) or organ and optional handbell accompaniment. |
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| Easter Song:
Herring, Anne,Wilson, John F.,HP |
| Originally composed by Anne Herring in 1974, "Easter Song" has found its way into the standard Holy Week repertoire. It is also available as an SATB (HPF958). |
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| Easter Symphony, An:
,Rusch,FB |
| Inspire your congregation with this anthem for SATB voices, organ, handbells and optional trumpet and trombones. It is ideal as an Easter introit. |
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| Eastertime Psalm:
Chepponis, J., ,GI |
| Sub-titled "Psalm for Easter, Ascension and Pentecost," the instrumentation of this original work calls for cantor, congregation, optional SATB voices, and optional trumpets and 2 octaves (plus A6) of handbells. Psalms 118, 47 and 104 provide the text for the upbeat, triumphant music. The bells are scored on a separate part and are written entirely on the treble staff and ring on every verse. Instrument parts contain 5 handbell scores and parts for 2 trumpets in C or B-flat. |
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| Fanfare and Alleluia:
Larsen, L., ,OX |
| This work is a flourish for the Resurrection with the entire piece sung to the repeated text: "Alleluia!" Three octaves of optional bells and chimes C5, D5 and A5 are set entirely on the treble staff and play throughout most of the work. |
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| Glory to God:
Haugen, M., ,GI |
| This piece, which includes 12 bells in the 2 octave range, was written for the eucharistic setting "Now the Feast and Celebration" with additional verses. The ostinato form of the piece makes it suitable as a processional piece, especially during the Christmas or Easter season. from "Now the Feast and Celebration". |
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| Green Blade Rises, The:
,Paulson, T.,AM |
| Four handbells (E & B 5 & 6) join 3-part voices, flute/oboe, alto melophone (or keyboard) and drum in a this medieval style arrangement of the French Carol, "Noel nouvelet". Open fifths are the order of the day and ostinatos in varying instruments and voices carry the motion along. Beginning ringers should have no problem with this and will be sure to like the passage near the end that simply says, "Ring freely--like mad!" |
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| Greet The Dawning:
Sanborn, ,FB |
| Use this joyful accompanied SATB anthem with opt. handbells and timpani as a general offering or on Easter Sunday. |
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| Hail Redeemer King:
Nagy, R.,,BE |
| Five bells ranging from G5 to G6 accompany in peal-like fashion the majority of this upbeat anthem marked quarter = 130-136. |
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| Hail the Day That Sees Him Rise:
Purifoy, ,LC |
| A lively and festive Easter anthem for SATB voices with keyboard and optional handbells. Bell score is printed separately in each octavo. |
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| Hail Thee Festival Day:
Williams, R. V.,Hopson, H.,MO |
| "Hail thee, festival day! The day that is hallowed forever; day when the Lord arose, breaking the bonds of death." So begins the text of this anthem, which includes a score for seven optional handbells in the 3-5 octave range. The bells ring in unison, ostinato patterns and could easily be distributed to members of the singing choir. |
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| Hallelujah:
Various,Page, A. L./Shafferman, J.,AP |
| 3 Chimes or bells (Bb, C6, Eb6) ring in simple rhythms periodically through this anthem, which pairs Beethoven's immortal "Hymn to Joy" with phrases from Handel's "Hallelujah Chorus". Other performance notes are given, including how to adapt the piece for Easter as well as Christmas. |
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| Hallelujah Chorus:
Handel, George Frideric,Hopson, Hal H.,HP |
| Handbells, ranging from D5 - C7 and playable by 2-5 ringers, are scored as additional accompaniment to this special rendition of G.F. Handel's "Hallelujah Chorus." Several performance options are given, including a unison melody for the congregation. The handbell part, which is printed on the back of the choral score but is also included the brass parts if using brass, basically consists of octave ringing and long shakes yet adds a nice touch. |
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| Hallelujah Christ Arose:
Lowry,Cox,TP |
| Use this majestic setting of the "Easter Hymn" with SATB chorus, keyboard, handbells and Brass quartet (2 Trumpets and 2 Trombones) for a memorable Easter musical offering. |
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| Head That Once Was Crowned, The:
,Behnke, J.,CO |
| For a festive occasion combine choir, congregation, handbells and brass by with this setting of the "Christ Triumphant" tune. |
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| Hear the News This Easter Morn:
Raney, Joel,,HP |
| This Easter introit begins with a simple, round-like melody — easy for your children’s choir to learn — then blossoms into a triumphant choral celebration of the risen Lord. |
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| He Is Not Here He Has Risen:
Pote, Allen,,HP |
| This Easter Day anthem from Allen Pote is based on Luke 24:1-10, telling the story of discovering that Christ has risen. |
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| He Is Risen Alleluia:
Herring, Anne,Schrader, Jack,HP |
| This new setting from Jack Schrader combines the historic Easter Hymn with Anne Herring's "Easter Song." |
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| Hosanna, Hosanna and Joyful Easter Day:
Hoiland, M. R.,Wright, V. H.,CG |
| These two short vocal settings call for two octaves of handchimes as optional accompaniment. Each contains simple rhythms and chordal textures on one page (so no page turns!). |
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| Hymn Descants for Ringers and Singers Volume 2:
Various,Page, Anna Laura,AP |
| Sing and ring your favorite seasonal hymns with this wonderful worship resource. Easy arrangements of: "Hosanna, Loud Hosanna"; "Beneath the Cross"; "Were You There" and others. |
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| Hymns for Easter:
Various,Larson, Lloyd,LC |
| The Hymn Enhancement Series is a resource for worship planners, choir members, instrumentalists and congregations. Designed as a practical aid to hymn singing, the series provides choral introits and/or codas to familiar hymns. This set is for the Easter season and includes: "Christ the Lord Is Risen Today; I Know That My Redeemer Lives." |
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| I Am the Resurrection and the Life:
de Mets, Peter,McChesney, Kevin,JH |
| An SATB choir or ensemble joins 3-5 octaves of bells in presenting Peter deMets original work. |
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| I Know That My Redeemer Lives:
Hatton, John W.,Behnke, John A.,CO |
| This hymn concerto is based on the tune DUKE STREET, and combines SAB choir, congregation, organ, and optional trumpet with 2-3 octaves of bells. |
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| I Know That My Redeemer Lives:
Traditional,Dobrinski, Cynthia,HP |
| This versatile setting of the tune DUKE STREET by Cynthia Dobrinski features both the Easter text and the alternate text “Jesus Shall Reign” for general occasions and Christ the King Sunday. |
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| In Christ is Gladness:
Gastoldi, G.,Wagner, D.,AP |
| A general anthem appropriate for Christmas, Epiphany, Easter, etc, which incorporated "In Dir ist Freude." Separate handbell score in each octavo. SAB version is #5845. |
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| Introit and Benediction for Easter:
Larson, L., ,SP |
| 2-3 octaves of bells ring throughout the entirety of the Introit in this two-part folio for Easter. |
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| Introit for Easter:
Raney, Joel,,HP |
| Celebrate the culmination of Holy Week with this exciting opening for your Easter service, either as a choral introit, or as a processional. |
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| Jesus Christ is Risen Today:
,Janco, S.,WL |
| Bells ranging from F4 to C7 have an optional, separate score from which they may provide additional accompaniment to this anthem based on 'Lyra Davidica and The Complete Psalmodist". Other parts include SATB choir, descant, assembly, brass quartet, timpani, and organ. |
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| Jesus Christ Risen Today:
Various,Hobby, R.,CO |
| Written for SATB choir, optional congregation, keyboard, optional brass, optional handbells, finger cymbals and hand drum, this anthem is based on "Christ ist erstanden & Personent hodie". The bells ring a single chord in the introduction and then again at the end. Shifting meters might give young ringers pause; but the bell part could be easily cued. |
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| Jesus Lives Alleluia:
Various,Larson, Lloyd,LC |
| Herald the good news of Christ’s triumphant resurrection with this exciting Easter anthem by Lloyd Larson. A bold choral acclamation announces the news, with optional trumpet and handbells adding to the festive spirit. |
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| Jesus Lives Sing an Alleluia:
Govenor, Deborah,,BE |
| "Jesus lives! Sing an alleluia! Jesus lives, who once was dead!" This text opens this happy unison anthem with an optional part for 2 octaves of bells (C5-E6). The bells ring in easy rhythms for the majority of the anthem, and provide a delightful obbligato to the energetic music. |
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| Joyful Celebration:
Choplin, P., ,AP |
| The subtitle for this anthem is "Easter Celebration" and the text begins: "People, come and lift your voices, hearts to heaven raise. Sing to God a song of gladness, sing a joyful song of praise." Youth or adult SAB or 2-part mixed voices will find this a peppy piece from Pepper Choplin! |
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| Joyful Introit, A:
Praetorius,Liebergen,AP |
| A practical publication featuring text for Advent, Christmas & Easter. Flexible. Use with SATB Choir and Soloist or Ensemble, congregation and opt. bells. |
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| Joyful Joyful We Adore Thee:
Beethoven, Ludwig Van,Raney, Joel & Sherman, Arnold,HP |
| This festive prelude is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. |
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| Lamb of God:
Paris, Twila,Larson, Lloyd,HP |
| Lloyd Larson's earnest, sensitive setting for Twila Paris' popular song was Hope's top-selling choral piece in 2001. He has now created a stunning handbell arrangement that can stand alone or accompany any of the choral voicings. |
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| Let Nations Sing Your Praise:
Chepponis, J., ,GI |
| Psalms 67 is the text chosen for this triumphant anthem, which includes 2 octaves of bells. |
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| Let the Bells Ring Out:
Lantz III, D., ,SP |
| Bells accompany the larger part of this Easter anthem that begins with the text: "Let the bells ring out! Let the people shout! The Lord is ris'n today." |
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| Let the Rocks Keep Their Silence:
Martin, J., ,LC |
| Three octaves of bells provide optional, additional accompaniment to this upbeat anthem from the musical "Come to the Table". The text begins: Let the rocks all keep their silence; let creation hold its voice. Mountains, valleys, stand in wonder as God's people now rejoice. |
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| Lift High the Cross:
Nicholson, H.,Burkhardt, M.,MO |
| The five stanzas of this hymn have each been set using a different combination of instruments to enhance the congregational singing. The handbells (C5 - G6) do not enter until stanza 5, where they ring half note rhythms using the shake technique. |
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| Light of Christ, The:
Haugen, M., ,GI |
| An anthem for cantor, unison choir, congregation, keyboard handbells and brass (2 trumpets and 2 trombones). |
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| Lord You Have the Words:
Haas, D., ,GI |
| A simple, folk-like anthem with a responsorial refrain. For congregation, choir, cantor, guitar, keyboard and handbells. |
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| Love is Come Again:
,Erickson, J.,AM |
| Based on the French folktune commonly associated with the text" Now the Green Blade Riseth", a sprite work using 6 bells from the 2-octave set. As indicated, very light and rhythmic fun! (Easter). |
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| Mary Told the Good News:
Horman, J., ,AB |
| Mary told the good news! Jesus lives! begins the text of this Easter anthem for children with optional 2 octaves of bells, the treble score of which should be easily grasped. |
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| My Shepherd Will Supply My Need:
,Wagner, D.,LC |
| Isaac Watts paraphrase of Psalm 23 is set to the voices with organ and optional handbells. Bell score is printed separately in each octavo. |
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| My Song Doth Bless the Lord:
Martin, J., ,AP |
| An original Easter or general anthem for 2 part or SAB chorus. Opt. handbells. |
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| Now the Green Blade Rises:
,McRae, S.,CG |
| Subtitled "A Spring Carol," this anthem calls for 9 bells ranging from D5-E6 as an optional accompaniment. This anthem was written in celebration of the Chorister's Guild's 50th anniversary. |
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| Now the Green Blade Riseth:
,McChesney, Kevin,HP |
| "Sing We Now of Christmas" is the alternate title to this tune. However, the energetic nature of this entire work suggests the vigorous growth of Spring, when the grass turns green. This energy is set up with a driving bass clef-rhythm pattern played by mallets on tabled bells. |
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| On Earth Has Dawned This Day of Days:
,Hopson, H.,CG |
| The traditional Cornish tune, MY DANCING DAY is presented here in lilting 6/8 time. |
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| On Jordan's Banks the Baptist's Cry:
Praetorius, M.,Cherwien, D.,AM |
| Five octaves of bells, though optional, lend their unique flavor to this hymn concertato on the tune PUER NOBIS for congregation, SATB choir and optional brass, bells and timpani. |
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| On the Third Day:
Pote, A., ,HP |
| Using full forces of the SATB choir, handbells, brass, timpani and keyboard, this adaptation of the Apostle's Creed is ideal for any festive celebration. Brass ensemble includes 2 trumpets, trombone, French horn, Tuba and Timpani. Also optional orchestra. |
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| O Sons and Daughters:
,Ferguson, J.,GI |
| The 17th century tune, tune O FILII ET FILIAE, is here arranged fro SATB voices, tambourine and 8 handbells (from G4 to D7). While intended specifically for the Second Sunday in Easter, this ancient text and tune work well anytime in Eastertide. |
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| Praises Ring:
,Leaf,CU |
| Quoting the the anthem begins with a fanfare flourish then proceeds to the organ and optional" handbells. |
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| Psalm 150:
Corsier, C., ,GI |
| Subtitled "Processional Psalm for Easter", PSALM 150 calls for 2 equal or mixed voices and eight handbells. |
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| Psalm Antiphons 6 (Easter):
Marcus, M., ,MO |
| These settings of psalm antiphons or refrains, sung at the beginning, close and at intervals between verses, announce and then echo the spirit of the text. The texts given for Lutheran Book of Worship users are from LBW; the texts chosen for Lutheran Worship users are similarly reflective of the psalm text. |
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| Resurrection Dance:
Schulz-Widmar, R., ,GI |
| "Dancing, buoyant, and light" is the character marking of this SAB anthem for voices and handbells. Nine handbells in the two-octave range provide the sole accompaniment to the text that begins "Give ear, give ear, good Christians all, our song is worth a hearing: We tell how grief has ended woe and fear has finished fearing..." |
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| Resurrexi:
Various,Near, G.,PP |
| An SATB Cantata encorporating chant and motets. Bells used on 1st and last anthems only. |
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| Ring the Bells for Christ is Risen:
Wagner, D., ,LC |
| Although optional, the bells add joy and brilliance to this 2 part mixed Easter anthem. |
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| Ring the Easter Bells:
Martin, J., ,AP |
| A joyous resurrection anthem for accompanied SAB or 2 part mixed chorus. Optional handbell score in each octavo. |
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| Ring the Easter Bells:
Martin, Joseph M.,,AP |
| Ten handbells, ranging from F5 to G6, although optional, are the star of this anthem highlighting the sound of bells! "Ring the Easter bells victorious for the resurrection day...." begins the text, accompanied for the majority of the work by the bells in simple rhythms and mostly unison line. |
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| Ring the Easter Season:
Various,Page, Anna Laura,AP |
| Practical, flexible, and inspired, this set of two seasonal choral introits offers optional 7 or 8-note handbell accompaniment-the perfect "ring and sing" selection for your choir! Or, if you have a separate handbell choir, order the separate, more substantial accompaniment, scored for 2-3 octaves. Titles include "Hosanna, Loud Hosanna," and "Christ the Lord Is Risen Today." |
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| Risen Alleluia:
Pote, Allen,,HP |
| The excitement and joy of Easter is captured in this celebratory anthem for SATB choir and keyboard with optional handbells, brass, and timpani. |
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| Risen Risen:
Govenor, Deborah,,BE |
| Four handbells, D6-E6-G6-A6, add festive color to this Easter anthem. The bell score, included on the back page of the anthem, calls for quarter note and half note rhythms; and the bells ring for the majority of the work. |
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| Roses and Thorns:
Schram, R., ,CG |
| The Russian text of this anthem tells the story of a rose garden that the child Jesus planted. |
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| Sabbath Praise:
Butler, E., ,AP |
| A general or Easter anthem for SATB voices, optional bells. Bell part printed separately in each octavo. |
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| Service Music for Bells and Voices Volume 3:
Various,Simpson, Beverly,SM |
| Take a familiar and well- loved hymn and combine the unique qualities of handbells with the vocal choir, the congregation, or a soloist. |
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| Share the Easter Joy:
Patterson, M., ,CG |
| Eleven handbells ranging from D5-C7 are scored along with the piano part in this bright, original anthem for Easter. The bells ring in half and quarter rhythms with one key change. The text begins: Go tell the news of the risen Lord. Alleluia, lift up your voice. Go share the Easter joy. |
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| Sing a Joyous Alleluia:
Spevacek, Linda,,LC |
| “Sing a Joyous Alleluia,” a catalog classic, is now available in a new edition with optional handbells (2 octaves/7 notes). |
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| Sing This Joyful Morning:
Raney, Joel,,HP |
| "Sing this Joyful Morning" has been written for SATB voices and piano with optional parts for children’s choir, organ, and 25 handbells. In addition there are three alternate texts that convert this into an ideal introit for Palm Sunday, Christmas and General Worship. |
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| Song of Triumph, The:
Palestrina, G.,Jansen, J.,PS |
| "The Song of Triumph" is an exciting Easter anthem based upon the "Victory" tune by Palestrina, arranged for SATB Choir and optional Children's Choir, Congregation and Brass ensemble. (NO BELLS) |
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| Song to the Lamb, A:
,Pearson, D.,SL |
| With the text "Dignus Est" from the BOOK OF COMMON PRAYER (1979), this lively anthem uses 4 handbells (C6-A6) that may be doubled an octave lower. The bells ring in ostinato, quarter-note rhythms throughout. |
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| Strife Is O'er:
Monk, W. H.,Ferguson, J.,AU |
| 3-5 octaves of handbells provide optional, but triumphal accompaniment to this SATB Easter anthem. (The parts are available on the Augsburg Fortress website.) The bells ring in "tall chords" and peal-like passages to emphasize the glorious message of this season. |
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| Sweet Music:
Traditional Spiritual,Schulz-Widmar,HP |
| “Sweet Music” is a hidden gem in the genre of African-American spirituals. This setting by Russell Schulz-Widmar, with the words “Go and tell everybody Jesus Christ is risen!” is a fitting selection for Eastertide. |
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| There is a Green Hill Far Away:
Ore, C., ,CO |
| This anthem for SATB, congregation, claves, optional flute, organ and handbells is a new tune by Charles Ore to the Cecil Alexander text. |
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| This is the Day:
Gelinueau,Proulx, R.,GI |
| A Psalm for Easter utilizing cantor, congregation and soprano descant with 11 handbells, triangle, tambourine & organ. |
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| This Is the Day the Lord Has Made:
Renick, C., ,GI |
| Seven bells, ranging from C6 to C7 add additional, optional accompaniment to the SATB anthem with a text based on Psalm 118. The bells ring a single chord in various; simple rhythms that move between meter shifts and ties across barlines. The anthem combines voices, instruments, and congregation in a joyous proclamation. |
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| This Joyful Eastertide:
,Shute, L.,AU |
| Linda Shute arranged this 17th century, Dutch tune, Vruechten, as a procession for children, adults, handbells and percussion. |
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| Three Hymns for Easter Day:
Wesley, C.,Courtney, C.,BE |
| "Christ the Lord Is Risen Today," "The Strife Is O'er," and "I Know That My Redeemer Lives" are the three hymn settings included in this folio. Each hymn has a choral introduction and coda with the hymn in stanza form in the middle. The optional bell accompaniment rings for the majority of each setting. |
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| Today is Salvation Come:
Haan, R., ,GI |
| For Christmas, Easter or general use, using SATB voices & 4 Handbells (F5, A5, C6 & D6). |
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| Two Easter Carols:
Various,Proulx, R.,AU |
| Bells in the range C5 - G6 are all that are needed for these two, short carols for bells, percussion organ and 2-part, mixed voices. |
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| Welcome Happy Morning:
Lowder, ,BM |
| A joyous Easter anthem for two-part mixed chorus. Handbell score is available separately (BLS901A). |
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| We Welcome Glad Easter:
Clemens, J., ,CO |
| A winding, chromatic melody is accompanied by alternating textures of staccato and sustained sounds by mallets and LV technique. This original 38-measure work is sub-titled "A Dance in ABA Form." May be played in a Tarentella style; start slowly then accelerate to the end. |
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| When Mary Through the Garden Went:
Coleridge, M.,Wagner, D.,WB |
| When Mary through the garden went, there was no sound of any bird,... so begins the text of this C minor, Easter anthem which includes an optional bell accompaniment for 12 bells ranging from C5 to G6. |
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| Who Is Jesus:
Honore, Jeffrey,,HP |
| The text, by Timothy Dudley-Smith, tells of the life, death and resurrection to glory of the Lord Jesus Christ. Jeffrey Honore's original musical setting has a variety of performance options. |
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| Whole Bright World Rejoices Now, The:
,Crisafulli, P.,MO |
| The 17th century German hymn tune, Hilariter - Latin meaning "joyfully" - has been set for SATB, keyboard and optional instruments. Only 5 handbells are required from Ab5 to Db and plays only in single, dotted half-note rhythm. |
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| Whole Bright World Rejoices Now, The:
Schalk, C., ,CG |
| This carol for the Easter season has a 17th century German text and a modern musical setting. 5 bells, ranging from F5-C6, ring at the beginning and the end of the anthem in a descending line of dotted half notes. An excellent opportunity to involve beginning ringers in a larger work. The text begins: "The whole bright world rejoices now, Hilariter, hilariter, The birds do sing on ev'ry bough, Alleluia, Alleluia." |
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| Word That Formed Creation - Now the Green Blade Rises:
,Haugen, M.,GI |
This anthem is from the collection Wondrous Love and is set for choir, guitar and keyboard with optional C instruments and handbells (B4-G6).
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| You Make All Things New:
Haas, D.,,GI |
| "You Make All Things New" is a musical proclamation of new life and renewal from the book of Ezekiel. |
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| You Will Draw Water:
Batastini, R., ,GI |
| "You Will Draw Water" is a canticle for cantor, congregation, handbells (6 bells used) and choir ad lib. This work would be an excellent fit for liturgical congretations especially. |
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