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| Amazing Grace:
Traditional,Eithun, Sandra,RR |
| Sandra Eithun's ethereal Level 2 setting of "Amazing Grace" artfully employs the Singing Bell technique. |
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| An American Tapestry III - Spiritual:
Traditional Spiritual,Sherman, Arnold,AG |
| Commissioned by the American Guild of English Handbell Ringers for the 13th International Handbell Symposium in Orlando, Florida, this arrangement of the spiritual "Down by the Riverside" is the third installment in "An American Tapestry." |
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| And He Never Said a Word:
Various,Ryan, Michael,LC |
| Set in d minor with only a few bell or chime changes (F sharp/C sharp), this interwoven tapestry of two reflective seasonal hymn tunes creates an emotional, mournful backdrop for meditation and prayer. |
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| Best Christmas Medley Ever:
Various,Dare, John,CP |
| This medley of sacred Christmas favorites--O Come All Ye Faithful, Away in a Manger, The Friendly Beasts, and It Came Upon a Midnight Clear--is extremely flexible. |
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| Be Thou My Vision:
Traditional Irish Melody,Page, Anna Laura,CG |
| This gentle Irish melody begins quietly with a calm, harmonic accompaniment played with optional handchimes. |
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| Breathe:
Barnett, Marie,Hakes, Derek K.,HP |
| This ethereal setting of the familiar praise song by Marie Barnett incorporates the hymn "Breathe on Me, Breath of God". The handbell part stands alone or can serve as the accompaniment to the choral setting. |
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| Bwana Awabariki:
Traditional Swahili,Nelson, Susan,HP |
| This traditional Swahili song with its energetic rhythms, stopped techniques and optional percussion is accessible and fun. |
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| Carol of the Bells:
Leontovych,McChesney, Kevin,JH |
| A magical, exciting, contemporary setting of the Christmas classic... you've never heard "Carol of the Bells" quite like this! |
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| Celtic Grace:
Geschke, Susan,,HP |
| Weaving together original melodies with phrases from “Amazing Grace,” Susan Geschke’s latest piece reflects a sense of quiet joy with a Celtic flavor. |
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| Crown Him Lord of All:
Various,Larson, Lloyd,LC |
| In the style of a brilliant symphonic overture, three robust hymn tunes ring forth with strength and conviction. The highly recognizable tunes, "Diademata" (Crown Him With Many Crowns), "Darwall's 148th" (Rejoice the Lord is King), and "Coronation" (All Hail the Power of Jesus' Name), will be loved by the congregation and ringers alike. |
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| Crown of Thorns Crown of Glory:
Various,Moklebust, Cathy,CG |
| Two hymn tunes--"O Sacred Head Now Wounded" and "Crown Him with Many Crowns"--are combined into a moving and glorious arrangement for Lent, Holy Week or Easter. |
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| Fanfare and Exaltation:
Edwards, Dan R.,,CG |
| Ringers are sure to enjoy this vibrant selection. The exhilarating and percussive opening and closing sections are contrasted by a beautiful and lyrical middle theme. |
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| For the Beauty of the Earth:
Traditional,Frizzell, J.D.,AG |
| AGEHR is proud to add J. D. Frizzell to our roster of fine handbell composers with his new work, “For the Beauty of the Earth.” |
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| Gavotte from Symphony No. 4:
Boyce, William,Tucker, Sondra K.,AG |
| This fun and easy-to-ring piece is suitable for any concert or Sunday worship. Its bouncy style will have the audience tapping their toes! |
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| Holy Holy Holy:
Dykes, J.,Helman, M.,LC |
| A fanfare beginning, a syncopated. malleted accompaniment, a flowing section with handchimes on melody, and a slow section that ends big to finish things up all characterize this arrangement on the favorite hymn tune, NICAEA. |
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| How Can I Keep From Singing:
Lowry, Robert,Sherman, Arnold B.,RR |
| Truly a unique work, this piece features Robert Lowry's rhythmic hymn tune supported in part by a "singing bell" technique, which uses round sticks rubbed around the outer rim of the bell, for a truly ethereal sound. Full instructions for this technique plus a biography on Robert Lowry and the full lyrics for the hymn are included. |
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| How Majestic Is Your Name:
Smith, Michael W.,Hakes, Derek,LC |
| A musical and visual celebration of God's great love, this fun-filled setting utilizes mallets and mallet clicks as well as ring touches, martellatos, and echos. Ringers are sure to love this one! |
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| Hymn of Promise:
Sleeth, Natalie,Dobrinski, Cynthia,HP |
| Cynthia Dobrinski’s new arrangement of Natalie Sleeth’s endearing hymn treats each of the three verses with a distinct approach that variously utilizes suspended bells played by mallets, vibrato, thumb damps, echoes, and optional 3-6 octave handchimes. |
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| I'm Just a Poor Wayfaring Stranger:
Appalachian Folk Melody,Waldrop, Tammy,HP |
| This arrangement invokes the style of American Mountain and Bluegrass music. |
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| I've Got Peace Like a River:
Traditional,Stephenson, Valerie,HP |
| Valerie Stephenson begins this setting by combining the unique singing bell technique on the lower bells with the melody on lower (optional) handchimes and wind chimes, and establishes an ethereal, serene mood. |
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| Jesus Christ Is Risen Today:
Williams, Robert,Dobrinski, Cynthia,HP |
| Cynthia Dobrinski’s joyful and creative rendition of the LLANFAIR tune is full of variety and excitement. If you are looking for something fresh, upbeat and distinctive for the Easter season, you will be delighted with this arrangement. |
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| Jesus Loves Me:
Bradbury, William,Glasgow, Michael J.,RR |
| Michael Glasgow brings a lush and beautifully elegant treatment to “Jesus Loves Me.” This unique setting is introspective, reflective and prayerful. 2-3 octave and 3-6 octave versions of the arrangement are provided in the same score, and may be played either separately or together, with optional piano or chamber orchestra. |
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| Joy and Elation:
Dobrinski, Cynthia,,HP |
| The sparkling rhythms and memorable melody of this easy-to-learn original composition by Cynthia Dobrinski creates an exuberant, celebratory mood. |
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| King of Kings and Lord of Lords:
Ancient Hebrew Melody,Thompson, Martha Lynn,HP |
| This lively, fun to ring setting from Martha Lynn Thompson is based on an ancient Hebrew melody. |
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| Let Us Rejoice:
Dobrinski, Cynthia,,HP |
| In this refreshing original composition, Cynthia Dobrinski has written exciting, equally interesting versions for choirs of any size from 2 to 6 octaves. |
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| Mighty to Save:
Morgan, Reuben & Fielding, Ben,Bettcher, Peggy,HP |
| Rhythmic drive and energy prevail throughout this popular praise song arrangement. Optional parts for electric guitar, electric bass and drum kit support the contemporary flavor. |
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| My Spirit's Gonna Shine:
Spiritual,Edwards, Dan,CP |
| Dan Edwards skillfully blends “Every Time I Feel the Spirit” with “This Little Light of Mine” in this joyful arrangement that makes use of an interesting variety of techniques. |
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| Nearer My God to Thee:
Mason, Lowell,Geschke, Susan,CG |
| Rising like a gentle prayer, this expressive setting of an old favorite is fresh and memorable. |
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| Near the Cross:
Various,Sherman, Arnold,HP |
| Fanny Crosby’s hymn text, “Near the Cross,” is a meaningful, devotional prayer that is especially useful for the Lenten season or communion service. |
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| Percussive Praise:
McChesney, K.,,CG |
| This vibrant piece is played entirely with mallets. Appropriate for secular or sacred settings. Boomwhackers can be used with this title. |
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| Prayer:
Sherman, A., ,LC |
| Commissioned for a wedding this gentle original composition uses lots of flowing, eighth-note textures combined with the LV technique with soaring melody above. |
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| Prayer for Peace:
Helman, M., ,AG |
| This piece "is dedicated to those who lost their lives in the terrorist attacks in New York City, Washington DC, and Pennsylvania on 9/11/01." |
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| Processional Alleluia:
Causey, C. H., ,BE |
| An anthem for SAB choir with handbells (3 octaves) and organ. Also indicates vocal descant (soprano). Highly recommended! |
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| Renewed Spirit:
Mazzatenta, Michael,,AG |
| This AGEHR Area XII Composition Contest winner is a lilting original piece that will lift the spirits of ringers and listeners alike. |
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| Simple Dance:
Traditional English Carol,Glasgow, Michael,CG |
| This fun, accessible setting of the ever-popular "Simple Gifts" tune (often referred to as "Lord of the Dance") incorporates a hint of the carol "Tomorrow Shall Be My Dancing Day" in a lilting waltz. |
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| Soon and Very Soon:
Crouch, A.,Morris, H.,HP |
| The easy rock feel of this gospel favorite is preserved in this exciting arrangement from Hart Morris. |
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| Standing on the Promises:
Carter, R. Kelso,Lamb, Linda,RO |
| With driving rhythm throughout, this great “Americana” hymn sparkles. The dotted eighth-sixteenth note pattern so familiar in this melody is used throughout, and a section with optional handchimes adds nice contrast. |
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| They'll Know We Are Christians:
Scholtes, Peter,Akers, Michael E.,LC |
| Written during Peter Scholtes's pastorate at St. Brendan's church on Chicago's South Side in the 1960s, this captivating folk hymn has enjoyed worldwide popularity ever since. |
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| This Little Light of Mine:
Spiritual,Moats, William,CG |
| This delightful arrangement of the familiar spiritual is divided into two major sections with different tempos and meters. The piece is fun to ring, and the use of mallets and stopped techniques adds to the energy and excitement. |
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| When Jesus Wept:
Billings, W.,Wagner, D.,BE |
| Based on a canon by William Billings, this setting is for 2-part chorus and keyboard with optional handbells. |
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| Will You Come and Follow Me:
Traditional Scottish,Nelson, Susan T.,AG |
| This arrangement of a familiar and beloved Scottish melody will soon become a favorite for your choir. |
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