Composer Kenneth Danchik presents three movements which focus on the overall sound instead of melody and accompaniment. The first is "Fanfare", which scores paired tremolo notes (with instructions), shakes, and fortississimo dynamic. The second is "Chorale", which is set in 3/4 time in simple, chordal rhythms. The third is "Allegro", which is marked (quarter note = 120), imitative in texture.