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| Africa:
Emerson, Roger,Mizell, Carol Lynn,CG |
| This arrangement of "Africa" begins with the body percussion sounds that are reminiscent of a rain storm, and are beautifully illustrated by Perpetuum Jazzile's rendition of "Africa" that may be found on YouTube. |
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| All Time and Space (Rhapsody in A Minor):
Wissinger, Kathleen,,RE |
| Stunning and ethereal, this original masterwork explores the vastness of the universe in 3 distinct sections, informally titled “Let There Be Light,” “Space Cowboys” and “The Great Expanse.” A welcome addition for advanced Bronze level repertoire as each section offers a different challenge in technique, chromatic work and interpretive skills. |
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| Angels We Have Heard on High:
Traditional French Carol,Tucker, Sondra K.,JM |
| The cherished Christmas carol begins with fanfares and flourishes. The full, thick chords present a strong contrast to the flowing lines in the refrain. |
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| Appassionata:
Joy, Michael W.,,BE |
| Your musicians will get the chance to focus on their musicality with this beautiful original composition. Alternating between passages both prayerful and haunting, this work is sure to elicit a deep emotional response from audience and ringer alike. |
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| Ashokan Farewell:
Ungar, Jay,Eithun, Sandra,HP |
| This tune was composed by American folk musician Jay Ungar and has been used in the PBS television miniseries The Civil War. Set here for handbells by Sandra Eithun. |
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| Be Thou My Vision:
,Stitt, J.,AG |
| The old Irish folk tune SLANE is here set in a short 46 measures. The melody appears first in the lower registers accompanied by lilting, LV eighth-note passages. Later, after a key change, the tune moves to the upper registers and becomes more ornamented. |
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| Boulevard Promenade:
Glasgow, Michael,,RR |
| Some of the world's best people-watching can be found on Las Vegas Boulevard. Commissioned by Harmony Handbells, this charming original represents the carefree, liberating "joie de vivre" of the group's hometown. It’s the kind of instant favorite you’ll return to time and again! |
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| Bring Him Home:
Schonberg, Claude-Michel,Holdsworth, Rick,HP |
| The classic tune from Les Misérables is arranged here for 3-5 octaves of handbells with optional handchimes and C-instrument. A great addition to your next concert. |
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| Christmas Night:
Multiple,Helman, Michael,BE |
| Michael Helman has given us this delicate medley of the tunes "In the Bleak Midwinter"; "Still, Still, Still"; and "Once In Royal David’s City". |
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| Church's One Foundation:
Wesley, Samuel S.,Dennis, Karissa,GI |
| This appealing and engaging arrangement of the tune AURELIA is introduced by a cheerful ostinato. Plucks, echoes, tower swings, shakes, and gyros are tastefully sprinkled through the music. |
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| Come Christians Join to Sing:
Hymn Tune,Compton, Matthew,EG |
| Matthew Compton has given us a rhythmic, light-hearted arrangement of the tune MADRID. Easy to learn and simply fun, this arrangement can be used throughout the year! |
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| Creator of the Stars of Night:
Hymn Tune,Meyer, Kurt,JM |
| This beautiful and haunting Advent hymn is sensitively and poignantly set by Kurt Meyer. The optional flute and windchimes enhance the contemplative mood and provide a beautiful contrast to the bells and chimes. |
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| Day By Day God's Time Is Best:
Various,Buckwalter, Karen L.,BE |
| This heartfelt setting by Karen Buckwalter, written in memory of a treasured member of the handbell community, is perfect for any service of remembrance or other reflective setting. |
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| Fairest Lord Jesus:
Traditional German Hymn,Childers, Brian,RW |
| A spiritually uplifting setting from one of our most heartfelt and spiritually thoughtful arrangers, this arrangement of the favorite hymn "Fairest Lord Jesus" is written to showcase your choir at their musical best. |
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| Fantasy on All Creatures of Our God and King:
Hymn Tune,Eithun, Sandra,GI |
| Sandra Eithun has arranged an impressive free form variation of this hallowed German hymn. Her imaginative use of chimes with bells presents an engaging musical fantasy. |
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| First Noel:
Traditional English carol,Eithun, Sandra,RW |
| From arranger Sandra Eithun comes this magical, ethereal setting of the favorite Christmas carol. |
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| Flashdance What a Feeling:
Moroder, Giorgio, Forsey, Keith and Cara, Irene,Mallory, Ron,FM |
| This exciting tune was written for the hit movie, Flashdance, and was an immediate hit. It earned a platinum record and has remained popular since, having been covered by many artists over the years. Ron has used a variety of techniques effectively placed to emphasize the natural rhythm of the work plus created scores for optional bass, drums, and keyboard. |
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| For All the Saints:
Williams, Ralph Vaughan,Larson, Lloyd,BE |
| This 3-5 octave handbell arrangement of "For All the Saints" is a powerful and stirring tribute to the Christian faith. The piece begins with a strong and majestic theme that is gradually developed with intricate harmonies and thrilling rhythmic interplay. |
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| Ghost and Shadow (When Shadows Flee):
Wissinger, Kathleen,,RE |
| “Ghost and Shadow” for 3 or 5 oct. L1+, is a piece of contrasts; a melody using straight rhythms and augmented syncopation; a dark, smooth section of harmonic & natural “c minor” moving abruptly to a brighter, more rhythmic section in the relative major “C”. Plucks, LVs, marts and a suspended mallet arpeggio add interest throughout. Economically priced with only 1 page turn, this original 2-minute piece can be a nice little bonus for your ringers and audience. Use the subtitle “When Shadows Flee” for sacred settings. |
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| Gift In the Manger:
Kirkpatrick, William J.,Buckwalter, Karen L.,BE |
| "Gift in the Manger" is a sweet and gentle 3-5 octave handbell arrangement of the beloved CRADLE SONG. The piece features a delicate setting that evokes the peacefulness and serenity of the Christmas story. |
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| Grazioso:
Sherman, A., ,RR |
| The texture of this expressive work starts simply and then builds into a strong, fully-scored section. This section is abruptly followed by a passage of etheral sound produced by echo and mallets on suspended bells techniques. The opening material returns and builds to a strong finish. |
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| Great Is Thy Faithfulness:
Runyan, William M.,Eithun, Mitchell,RO |
| While there are many complicated arrangements of this great hymn, this setting from Mitchell Eithun gives us a fresh take that will be accessible to most choirs. |
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| Hashivenu (Rise Up and Sing):
Traditional Israeli Folk Song,Austin, Brenda E.,HP |
| This traditional Israeli folk song is a song of resilience. It begins with a mournful setting on handchimes and moves into an up-tempo section that uses mallets and thumb damps. |
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| In the Bleak Midwinter:
Various,Page, Anna Laura,BE |
| This gentle 3-5 octave handbell arrangement of "In the Bleak Midwinter" is a beautiful and heartfelt tribute to the holiday season. The piece features delicate melodies that capture the tenderness of the Christmas story, including a sweet rendition of "Infant Holy, Infant Lowly". |
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| In the Shadow of Your Wings:
Buckwalter, Karen L.,,BE |
| This introspective 3-6 octave handbell original is a haunting and emotional piece that explores themes of comfort, solace, and protection. The piece features a poignant melody supported by gentle harmonies and evocative textures. |
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| Irish Washerwoman:
Traditional Irish Melody,Morris, Hart,BE |
| Certainly not for the faint of heart, this handbell arrangement of Leroy Anderson’s version of “The Irish Washerwoman” will excite your audiences and challenge your ringers in practically every way possible! |
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| Jesus Is a Rock in a Weary Land:
Spiritual,Arnold, Mark S.,JM |
| This creative and fun arrangement of the familiar spiritual begins with mallet clicks that set the tone for the piece. The melody appears over a rhythmically malleted bass line with a bit of a blues or jazzy feel. |
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| La Tempestad:
Eithun, Mitchell,,CG |
| An original piece for the advanced handbell ensemble, "La Tempestad" is a rhythmic tour de force that evokes both Latin dance and a violent storm. It is inspired by the sounds of Latin dance music, but defies any regular form by employing a constantly shifting meter. |
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| Mamma Mia:
Anderson, Stig; Ulvaeus, Bjorn; and Andersson, Benny,Scholes, Linda,JH |
| First, it was a huge hit by the supergroup ABBA. Then it was part of the smash Broadway musical of the same name. Now, it's a fun and exciting addition to our Handbells ROCK series! |
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| March :
McChesney, Kevin,,RW |
| Kevin McChesney’s bold original is majestic and proud and will work well in any number of settings. As the subtitle implies, ringers will get a good workout at dotted rhythms as well as staccato effects. |
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| Milele:
Krug, Jason,,RR |
| “Milele” means “forever” in Swahili, and the haunting melody and African rhythms make this original by Jason Krug a truly stunning work. |
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| Morning Grace:
Various,Scholes, Linda,BE |
| This pleasant 3-5 octave handbell arrangement combines "Morning Mood" from Peer Gynt with the beloved hymn tune NEW BRITAIN. The result is a beautiful and uplifting piece that celebrates the joy of a new day. |
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| O Come All Ye Faithful:
Hymn Tune,Mallory, Ron,JH |
| This exciting arrangement of the favorite carol pulses with unceasing energy and joy. The driving rhythms in the malleted notes will keep your listeners riveted and are easy to learn, making the work more accessible than its level marking may indicate. |
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| Prelude on Adeste Fideles:
Various,Eithun, Mitchell,BE |
| This festive 3-5 octave handbell arrangement of "Adeste Fideles" is a joyous and triumphant celebration of the holiday season. The piece features bold, soaring melodies including a lively rendition of the English melody "God Rest You Merry". |
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| Scherzo:
Compton, Matthew,,EG |
| Composed for a middle school handbell festival, this piece was written to showcase the ambitious youth. A fun, easy-to-learn piece. |
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| Serenade:
Onstead, Caleb J.,,EG |
| We're pleased to welcome Caleb Onstead to the Evergreen catalog with his original composition "Serenade". This piece will give advanced ensembles ample opportunity for musical phrasing and sensitivity. |
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| Simplicity:
Compton, Matthew,,EG |
| Matthew Compton’s "Simplicity" was written for a dear friend who exemplifies humility, love, and kindness. This piece is a very accessible work that any group can put together in just a few rehearsals! |
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| Snake River Waltz:
Sherry, Mark,,ME |
| This waltz takes the listener on an auditory journey down the Snake River, from the mountains of Wyoming, through Montana, Idaho, and Washington where it joins the mighty Columbia River. Various sections sound out the violence and majesty of white water while others show the placidity of reservoir lakes. |
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| Thieving Magpie, The:
Rossini, Gioacchino,Thompson, Martha Lynn,JA |
| A Martha Lynn Thompson transcription of "The Thieving Magpie" by Gioacchino Rossini. Composed in 1817, the overture to this fun two-act opera sets a military tone about the mystery of a stolen spoon, actually taken by the bird. |
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| Tongues of Flame:
Guebert, Alex,,CG |
| Inspiring, stately, dignified yet playful, intensely rhythmic with flourish and pizzazz – these are all ways to describe this high-level work by Alex Guebert. |
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| Transit Time:
Meyer, Kurt,,FM |
| "Transit Time" was inspired by the past few years' increased focus on shipping and delivery of packages and mail to your home. One definition of transit time reads 'The amount of time spent when moving goods from its origin to its destination, which may or may not include intermediate stops and/or transfers.' One can only imagine the transportation journey your order or letter may experience ... and Kurt has put that imagined journey into music! |
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| Very Soon I'll Fly Away:
Various,Tucker, Benjamin A.,AP |
| Ben Tucker combines the classic Andraé Crouch gospel song "Soon and Very Soon" with the familiar gospel hymn "I’ll Fly Away" to create a stunning arrangement that captures the spirit of both songs. |
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